
Since I got back I have been experimenting on how to use my papers to best effect. Not sure if this works but it was fun attempting it.
![]() Back from a road trip along the Murray and Darling Rivers to Broken Hill. Saw some beautiful and awesome scenery. Broken Hill has the most amazing Sculpture Garden. It is quite spectacular . Since I got back I have been experimenting on how to use my papers to best effect. Not sure if this works but it was fun attempting it.
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I have taken time out to re-organise my website. I think that it looks a bit better. Seems to take ages to do though. Meanwhile, as a pleasant break I have been madly leaf 'eco' printing. Had some unusual results when I used red backed cardboard to tie a bundle together. It turned out rather lovely but a little different to what I had expected. Just shows that some results are serendipitous and isn't it lovely when that happens? Other results are a little pale for me. But there are others that I love. It never ceases to amaze me that the same process can produce such different results. I promised that I would write about how the leaf printing I do is achieved. I'll try to remember the entire process although I have had trouble in the past remembering each step. The process is quite forgiving though, so if a step is missed the results can still be pretty good. First up is the gathering of the leaves. I like to use Australian native leaves such as gum leaves of different varieties, wattle leaves, banskias etc. I only ever gather the leaves that are on the ground as a result of a natural process or those leaves that the cockatoos have so thoughtfully pruned especially for me. If I have the time I press the leaves under weights. Although this step is not essential I find that flat leaves are easier to handle. I'm not sure if they print better or not. Having gathered the leaves and pressed them the next step is to prepare the paper. I use any paper to hand and have found that as you would expect, different paper reacts in different ways. It is well worth experimenting to find the paper that gives the results you want. It seems that different papers react very differently with different leaves. I fold the paper into concertinas and although this is not absolutely necessary but it probably does aid in keeping the papers together. The next step is to arrange the leaves on the paper in whatever design you feel will make the best print. Then, sandwich the paper with the leaves between two pieces of cardboard and tie together tightly with string. You can make as many bundles as your steamer can allow or until you run out of leaves or paper or whatever comes first. The next step in the process is to soak this bundle in a solution of vinegar and water. The solution I use is 2 cups of water to 2 tablespoons of vinegar. The bundles should be soaked for at least one hour, more if possible. I forgot to soak the bundles once and the middle of pages didn't get steamed. See the photo below. It gave a rather lovely skeleton photo but not quite what I was wanting. After soaking the papers place the the bundle in a steamer (I use an electric fry pan) with bits of rusted metal such as nails etc, a solution of 2 cups of water to 2 tablespoons of vinegar, weighed down by a heavy brick and brought to the boil. To steam, the papers have to sit above the water. This can be achieved by sitting the bundles on a grid or small glass jars. It is of course very important to keep all this process separate to any cooking and not to use any utensils or containers for cooking afterward. It is then left to steam for a couple of hours checking every so often to ensure that the water does not evaporate completely. Then, it is time to open the bundle. After removing the plant material and composting the leaves, the beautiful papers are revealed. I have read that some eco printers wait for 24 hours before they have a look at their prints. NOT me! I barely wait 24 seconds!
Now all you have to do is experiement with different methods, different solutions and different leaves. Many thanks to Bev for introducing me to this exciting method of printing. Bev has recently had an article published in the June 2013 edition of Raised Bands, the newsletter of the Canberra Craft Bookbinders' Guild. The cockatoos in our area have been doing a substantial amount of pruning lately and I have taken advantage of all their hard work to continue printing leaves. I love this type of mono printing where each piece is so individual as well as beautiful. I notice on fellow eco printers blogs in the northern hemisphere that they are gathering up their autumn leaves for printing. Luckily, here in Canberra the cockatoos prune all year round so we don't have to wait for autumn. |
LYNDELL DOBBS
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